Springboard Answer Key
Chapter 1:Cultural Conversations
Section 1.1: Previewing the UnitSection
1.2: Exploring Culture and CommunicationSection
1.3: Exploring Cultural IdentitySection
1.4: Language and Writer's Craft: SyntaxSection
1.5: "Two Kinds" of Cultural IdentitySection
1.6: Two Perspectives on Cultural IdentitySection
1.7: Connecting Cultural Identity to ThemeSection
1.8: Consulting with a Mentor (Text)Section
1.9: Previewing Embedded Assessment 2 and Preparing for a Writing PromptSection
1.10: Colliding WorldSection
1.11: Perspectives on Heritage: Poetry and FictionSection
1.12: Perspectives on Heritage: NonfictionSection
1.13: Argumentation in "An Indian Father's Plea"Section
1.14: Synthesis: Drafting Your PositionSection
1.15: Synthesis: Presenting Your Position
Exercise 1
Exercise 2
Chapter 2:Cultural Perspectives
Section 1: Previewing The UnitSection
2: Images of Cultural IdentitySection
3: Cultural NarrativeSection
4: Author's Stylebook: DialogueSection
5: Author's Stylebook: PacingSection
6: Author's Stylebook: DescriptionSection
7: Elements of a Graphic NovelSection
8: Telling a Story with PoetrySection
9: Struggling with Identity: Rethinking PersonaSection
10: Changes in PerspectiveSection
12: Justice and CultureSection
13: Taking a Stand on JusticeSection
14: Taking a Stand on Legal IssuesSection
15: Taking a Stand Against Hunger
Exercise 1
Exercise 2
Chapter 3:Cultures in Conflict
Section 1: Previewing the UnitSection
2: Proverbs and FolktalesSection
3: Researching ContextSection
4: Culture WheelSection
5: Father and SonSection
6: Character in ConflictSection
7: Family TiesSection
8: Sacrificial SonSection
9: Cultural ChangeSection
10: Previewing Embedded Assessment 2 and Creating a TableauSection
11: Ibo Norms and ValuesSection
12: RAFTing with ChieloSection
13: Acts of ViolenceSection
14: Gender ViewsSection
15: A Tragic Hero?Section
16: Colliding CulturesSection
17: Cultural MisunderstandingsSection
18: Poetic ConnectionsSection
19: A Letter to the District CommissionerSection
20: The Author's Perspective
Exercise 1
Exercise 2
Chapter 4:Dramatic Justice
Section 1: Previewing The UnitSection
2: CharacterizationSection
3: Voices From LiteratureSection
4: Original MonologuesSection
5: Reflecting on PerformanceSection
6: Oral Interpretation of LiteratureSection
7: Previewing Embedded Assessment 2 and Introducing Greek DramaSection
8: A Tragic FamilySection 9: Soul SistersSection
10: Chorus LinesSection
11: Enter the KingSection
12: Conflicting MotivationsSection
13: An Epic FoilSection
14: Odes to Love and DeathSection
15: Tragic Hero
Exercise 1
Exercise 2
Exercise 3
Chapter 5:Building Cultural Bridges
Section 4: That's Just the Way It IsSection
1: Previewing the UnitSection
2: The Call to ActSection
3: Throwing Light on the SubjectSection
5: Previewing The 11th HourSection
6: The Nature of the Problem: Evaluating Causal ClaimsSection
7: The Art of Objectivity: Writing an Effective SummarySection
8: Questioning AppealsSection
9: The Ethics of PersuasionSection
10: Refutation and ReputationSection
11: Exploring One Conflict TogetherSection
12: A World of ConflictsSection
13: What's at Stake?Section
14: What's at Stake? Part TwoSection
15: Crafting Your Position PaperSection
16: Language and Writer's Craft: Documenting Your ClaimsSection
17: Previewing Embedded Assessment 2 and Documenting FilmSection
18: Setting the Mode and ToneSection
19: Documenting Film TechniquesSection
20: Arguments with Film
Exercise 1
Exercise 2
Exercise 3
Exercise 4