Question: A perfect example of the actors nemesis is:

Answer: Stage fright.

Question: What are the Two fundamental notions/approaches of acting?

Answer: Internal and external.

Question: The types of performing that asks the actor to experience the life of the character being played is:

Answer: Internal.

Question: Actors who mimic or imagine how their characters should walk, talk, and behave, using their imagination, or said to demonstrate techniques of the ________ of acting.

Answer: External.

Question: What is “the Method”?

Answer: A realistic American acting style derived from the Russian actor-director Konstantin Stanislavsky’s self-proclaimed system and made popular by Lee Strasberg in New York.

Question: Stanislavsky felt it was important for actors to focus on:

Answer: The inner life of the character.

Question: Today, the best method of acting:

Answer: Is an integration of both forms—internal and external acting.

Question: Stanislavski insisted the actors needed to discover their character’s:

Answer: Goal.

Question: Which is the actors instrument?

Answer: Body and voice.

Question: Which of the following is a paradox of acting?

Answer: Actors must act as if they are the character and yet also be aware of their technique. A great amount of effort must go into seeming effortless. Actors should pretend to feel in emotion rather than actually feel it.